张叔言——国际聚焦书画名家、两会之声

今天，欧洲网分享来自综合的“张叔言——国际聚焦书画名家、两会之声”，希望大家喜欢。

聆听时代强音，坚定文化自信。

文化是一个国家，一个民族的灵魂。中国特色社会主义进入新时代，人民有信仰，国家有力量，民族则有希望。值此两会召开之际，著名书画艺术家代表纷纷献礼献策，为实现中华民族的伟大复兴贡献力量。

Listen to the strong voice of the times and strengthen cultural self-confidence.

Culture is the soul of a country and a nation. Socialism with Chinese characteristics has entered a new era. The people have faith, the country has strength, and the nation has hope. On the occasion of the two sessions, representatives of famous painting and calligraphy artists have offered gifts and suggestions to contribute to the great rejuvenation of the Chinese nation..

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张叔言，1949年出生，湖南人，南京大学中文系、解放军政治学院、美国加州大学毕业，博士学位。中华出版促进会副秘书长、《书香两岸》杂志社总编、中华人民共和国文化部一级美术师（书法）、大龙树（厦门）文化传媒有限公司总经理。曾获得出版韬奋奖和新中国成立六十周年百名优秀出版人奖。

Zhang Shuyan, born in Hunan in 1949, graduated from the Chinese Department of Nanjing University, the Political College of the People's Liberation Army and the University of California, USA, with a PhD. Deputy Secretary-General of China Publishing Promotion Association, Editor-in-Chief of Shuxiang Cross-Straits Magazine, First-Class Artist (Calligraphy) of the Ministry of Culture of the People's Republic of China, General Manager of Dalongshu (Xiamen) Cultural Media Co., Ltd. He has won the Publishing Taofen Award and the Hundred Excellent Publishers Award for the 60th anniversary of the founding of New China.

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提到张叔言 ，许多人都知道他是出版人，曾获得出版韬奋奖和新中国成立六十周年百名优秀出版人奖，但没有人知道他书法造诣。的确，张叔言退休前没操刀过书法，退休后，心想没事干该怎么办，这才想起学书法。然而，不到8年，张叔言的书法却稍有名气，曾代表国家赠书法给斯里兰卡总统、议长，韩国领导人、台湾地区领导人及俄罗斯、蒙古、塔吉克斯坦大使馆、孔子学院、华商总会、交流机构等，并被斯里兰卡佛学院、韬奋纪念馆、佛光山收藏，他还为许多名胜古迹、大型企事业单位、著名商标品牌题写牌匾。去年纪念中国共产党成立95周年，全国集邮总公司为张叔言出版了一套书法邮票纪念册，文联出版社将张叔言的书法作品收集在《人民喜爱的书法家》、《当代中国书法经典百年》、《中华书画传承人物》中，红旗出版社将张叔言的书法作品收集在《中国书法40年》书法集中，为纪念欧阳中石诞生94周年，华夏儒商受文化部指意还让张叔言与欧阳中石于今年出版了一本《艺壇领袖传世佳作》的台历。冰冻三尺非一日之寒，张叔言书法进步快，自然有他的道理。

Referring to Zhang Shuyan, many people know that he is a publisher. He has won the Publishing Taofen Award and the Hundred Excellent Publishers Award for the 60th anniversary of the founding of New China, but no one knows his calligraphy accomplishments. Indeed, Zhang Shuyan did not use a knife before he retired. After he retired, he thought about what to do when he had nothing to do. This reminded him of learning calligraphy. However, in less than eight years, Zhang Shuyan's calligraphy was slightly well-known. On behalf of the country, he presented calligraphy to Sri Lanka's President and Speaker of Parliament, Korean leaders, Taiwanese leaders and Russian, Mongolian, Tajikistan Embassies, Confucius Institutes, Chinese Chamber of Commerce and Exchange Institutions. He was also given calligraphy by Sri Lanka Buddhist Academy and Taofen Memorial Hall. Foguangshan Collection. He also inscribes plaques for many places of interest, large enterprises and institutions, and famous trademark brands. Last year, in commemoration of the 95th anniversary of the founding of the Communist Party of China, the National Philatelic Corporation published a set of commemorative booklets of calligraphy stamps for Zhang Shuyan. Wenlian Publishing House collected Zhang Shuyan's calligraphy works in "The People's Favorite Calligrapher", "A Century of Contemporary Chinese Calligraphy Classics" and "The Heritage Persons of Chinese Calligraphy and Painting". The Red Flag Publishing House Yan's calligraphy works are collected in the collection of 40 Years of Chinese Calligraphy. In order to commemorate the 94th anniversary of Ouyang Zhongshi's birth, Confucian businessmen in China, on the instructions of the Ministry of Culture, also let Zhang Shuyan and Ouyang Zhongshi publish a calendar of "The Great Works of Art Leaders Inheritance" this year. Frozen three feet is not a day's cold, Zhang Shuyan's calligraphy has made rapid progress, naturally has his reason。

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从小用毛笔写字

熟悉张叔言的人都知道，他是用毛笔写字的。张叔言从小学直到退休都坚持用毛笔写字，写日记、写文章甚至连开会记录有时都用毛笔，不过那只是写毛笔字而已，谈不上书法。但无心插柳柳成荫，这种书写方法对毛笔的把握、书法的感觉很有帮助，特别对草书的流利性要求更是打下了一个基础。

退休后，张叔言在与中国当代著名书画大家杨向阳的接触中感受到了书法的巨大魅力。“他的书法造诣和理论高度都让我十分钦佩，独创了融隶书风骨、魏碑气势、篆书神韵于一体的‘三体书’及草篆、行隶等近百种书体。当时我就临摹他的隶、楷、行书，受他的影响很深。”

从此，张叔言开始临摹历代书法名家的字帖，沉浸其中，忘乎所以，甚至不吃不喝8个小时，从晚上一直写到凌晨3点都丝毫不疲惫。

Write with a brush since childhood

Anyone familiar with Zhang Shuyan knows that he writes with a brush. From elementary school to retirement, Zhang Shuyan insisted on writing with a brush. He wrote diaries, articles and even minutes of meetings sometimes with a brush, but that was just brush writing, not calligraphy. But carelessly insert willows and willows into the shade, this writing method is very helpful to grasp the brush and the feeling of calligraphy, especially for the fluency requirement of cursive script laid a foundation.

After retirement, Zhang Shuyan felt the great charm of calligraphy in his contacts with Yang Xiangyang, a famous contemporary Chinese painter and calligrapher. "His calligraphic attainments and theoretical height make me admire him very much. He has created nearly one hundred styles of calligraphy, including Li style, Wei stele momentum and seal script charm, as well as grass seal script and Xingli script. At that time, I copied his official scripts, regular scripts and running scripts, which were deeply influenced by him.

From then on, Zhang Shuyan began to copy the letters of famous calligraphers in successive dynasties, immersed in them, forgotten, even did not eat or drink for eight hours, from evening until 3 a.m. were not tired at all.

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挥毫落纸是人生

“毛泽东的字、岳飞的书法自有其过人的气魄，而王羲之的字则透着文人雅士的精制笔法。”张叔言认为，历代书法名家多出自王侯将相、文史学家，这并非偶然或是虚名，书法境界高低是来自人生的经历和感悟。真正的书法家并非只会写字的匠人，他们需要有深厚国学底蕴和自我修养。

也许这便是所谓的“字如其人”。一个人写的字透着他走过路、读过的书和爱过的人。因为工作环境的特殊，张叔言参军十八载，在出版界三十余年，办过报纸，做过杂志，出版过图书，也做过书商，懂经营，好收藏，可谓经历颇丰，其书法也自成一格，这也是为什么他的字受到不少品牌企业的钟爱。

“书法的世界，越钻研就越感到自己的无知，越有学习的热情。”张叔言平时有很多的机会接触书法艺术书籍、名胜古迹、书法展览，他十分珍惜这些机会，每到一地，他都要找机会去书店，特别是古旧书店、旧货市场淘宝，去名胜古迹受熏陶，从中吸取书法艺术的精髓。此外，张叔言还非常爱好文学、历史、哲学、汉语言文，他认为，这些是书法艺术的灵魂，是书法艺术赖以升华的基础。

Wrapping a piece of paper is life

"Mao Zedong's characters and Yue Fei's calligraphy have their own extraordinary courage, while Wang Xizhi's characters are reflected in the refined brushwork of literati and refined scholars." Zhang Shuyan believed that most of the famous calligraphers in the past dynasties came from generals and historians, which was not accidental or nominal. The level of the realm of calligraphy came from the experience and perception of life. Real calligraphers are not only craftsmen who can write, they need to have a deep knowledge of Chinese traditional culture and self-cultivation.

Perhaps this is the so-called "word as its person". A man's handwriting reflects the way he walked, the books he read and the people he loved. Because of the special working environment, Zhang Shuyan joined the army for eighteen years. In the publishing industry for more than thirty years, he has run newspapers, magazines, books and booksellers. He knows how to operate and collect well. His calligraphy is also unique, which is why his characters are loved by many brand enterprises.

"In the world of calligraphy, the more you study, the more you feel ignorant and enthusiastic about learning." Zhang Shuyan usually has many opportunities to contact calligraphy art books, historic sites and calligraphy exhibitions. He cherishes these opportunities very much. Every time he goes to a place, he will find opportunities to go to the bookstore, especially the antique bookstore and the second-hand market to find treasures. He will go to places of interest to be edified and learn the essence of calligraphy art. In addition, Zhang Shuyan is also very fond of literature, history, philosophy and Chinese language. He believes that these are the soul of the art of calligraphy and the basis for its sublimation

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两会之声，书画领军人物谏言献策

Speech of the Two Sessions, Advice and Suggestions from Leading Figures in Calligraphy and Painting

发挥书画艺术家已有魅力，为发扬中华文化做贡献，

改革开放四十年了，四十年的经验告诉我们中华文化是中华民族赖以生存和发展的基石，是我们维系民族团结，凝聚民心，激发民族上进心的法宝，是我们客服困难，自强不息，开拓进取的武器，继续弘扬和传承中华文化是我们的国策，也是全民族都要忠实履行的使命，相比之下书画家更应有所担当。

书画家是我国文化队伍中的奇葩，因为他们的作品大多是中华文化的精品，能与大家发生共鸣，为大家所仰慕，许多人以拥有他们的作品为傲，许多人因府邸、大堂、雅室挂着他们的作品为荣，从这个意义上讲书画家是传承、弘扬中华文化的最佳媒介。

书画家特别是书法家作品大多是中华文化宝库的精品，是中华文化五千多年的文化结晶。这些作品不但能给人以美的享受，更能给人以启示、熏陶，力量、震撼，能陶冶人的灵魂，试想一下，如果每一个人每一间雅室，每一间办公室，每个住家，每一个场馆，每一个有人来人往的地方都悬挂书画家的墨宝，那会是什么样的感觉，那对弘扬中华文化的贡献有多大？

发挥书画艺术家的独特魅力，需要把书画艺术家组织起来，我国的书画家团体很多，但国家队的只是很少一部分，大量高手在民间，这些体制外的书画高手许多被社会上一些所谓的文化媒体所左右，把书画家当成赚钱的工具，不但让书画家赔了许多钱更重要的是让他们偏离了方向，浪费了他们的宝贵资源，应该打破原有体制界限，把体制内体制外的书画家很好的组织起来，让他们都在一个公平公正的平台上为传承和弘扬中华文化做贡献。

要加强对书画家的文化教育，建立健全书画队伍先进文化，改革开放四十年，书画队伍是发展壮大了，但队伍素质参差不齐，个人主义，自由主义，拜金主义，拿来主义等还不同程度的存在，严重的影响腐蚀了书画队伍的健康成长。应该重视书画队伍的文化建设，提高书画家队伍的品位，素质，增强书画家队伍社会责任感，使命感，加强书画家队伍的道德培养，让我们的书画队伍成为真正有社会主义觉悟，有高度社会责任，讲道德有品质的队伍。

要给书画艺术家搭建一个开放展示交流平台，让他们能更好的发挥自己的才华，现在书画艺术家基本都是各自为战，不说是一盘散沙，但可以说是游击队，中央到地方应把发挥书画家的才能纳入政府的文化发展规划，有步骤，有计划地选拔，培养一批顶尖的书画家，另一方面给他们舞台，为施展他们的才能创造条件，充分发挥书画艺术家的魅力主要是书画艺术家要有魅力，书画艺术家有没有魅力不是自己说了算，要人民认可，社会认可，首先最重要的是人品，一个没有人品的艺术家是不能载入历史的。人品包括道德修养，价值观，社会责任感，其中包括能否跟上时代步伐，当然书画艺术家最起码的是书画艺术水平，写书绘画的人千千万，要脱颖而出，成为大家实属不易，书画家要有一个高标准，要为这一标准奋斗不止，除了字写好外，还要多学习国学、哲学、美学，要多考察研究名胜古迹，特别要研究名人字画，这些都是能提升书画家艺术水平的必经之路。书画艺术永无止境，天外有天，山外有山，永远都在路上，书画艺术家切记不可居功自傲，故步自封。

改革开放给书画艺术带来了春天，我们应抓住这个好机遇，展示自我，努力服务这个时代。为中华文化复兴，为中国崛起贡献自己力量。

Give full play to the charm of calligraphy and painting artists and make contributions to the development of Chinese culture.

Forty years of reform and opening up have taught us that Chinese culture is the cornerstone for the survival and development of the Chinese nation, the magic weapon for us to maintain national unity, rally the people's hearts and stimulate national aspirations, the weapon for us to overcome difficulties, constantly strive for self-improvement, forge ahead, and continue to carry forward and inherit Chinese culture. Our national policy is also the mission that the whole nation should faithfully fulfill. In contrast, painters and calligraphers should take on more responsibilities.

Calligraphers and painters are wonderful flowers in our country's cultural team, because most of their works are excellent works of Chinese culture. They can resonate with you and are admired by you. Many people take pride in owning their works. Many people take pride in hanging their works in mansions, lobbies and elegant rooms. In this sense, calligraphers and painters are inherited and admired. The best medium to carry forward Chinese culture.

The works of calligraphers and painters, especially those of calligraphers, are mostly the best works in the treasure house of Chinese culture and the cultural crystallization of Chinese culture for more than 5000 years. These works can not only give people the enjoyment of beauty, but also give people inspiration, edification, strength, shock, and cultivate people's soul. Imagine if everyone hangs calligrapher's ink in every elegant room, every office, every residence, every venue and every place where people come and go. What kind of feeling does it contribute to the promotion of Chinese culture?

To give full play to the unique charm of calligraphy and painting artists, it is necessary to organize them. There are many groups of calligraphers and painters in our country, but only a small part of the national team, a large number of masters are in the folk. Many of these masters outside the system are controlled by some so-called cultural media in society, and regard calligraphers and painters as a tool for making money. Not only did the painters lose a lot of money, but more importantly, they deviated from the direction and wasted their valuable resources. We should break the boundaries of the original system, organize the painters and calligraphers inside and outside the system well, and let them all contribute to the inheritance and promotion of Chinese culture on a fair and just platform.

We should strengthen the cultural education of calligraphers and painters, establish and improve the advanced culture of the painting and calligraphy team. In the past 40 years of reform and opening up, the painting and calligraphy team has developed and expanded. However, the quality of the team is uneven, inpidualism, liberalism, money worship and usage doctrine still exist in varying degrees, which seriously affects the health of the painting and calligraphy team. Grow up. We should attach importance to the cultural construction of the painting and calligraphy team, improve the quality and quality of the painting and calligraphy team, enhance the sense of social responsibility and mission of the painting and calligraphy team, and strengthen the moral cultivation of the painting and calligraphy team, so that our painting and calligraphy team can become a team with real socialist consciousness, high social responsibility and moral quality.

To build an open exhibition and exchange platform for calligraphy and painting artists, so that they can better display their talents, calligraphy and painting artists are basically fighting for each other, not to say a scattered sands, but can be said to be guerrilla groups. The central and local governments should incorporate the ability of calligraphers and painters into the government's cultural development plan, step by step. Selecting and training a group of top calligraphers and calligraphers in a planned way, on the other hand, giving them stage, creating conditions for their talents, and giving full play to the charm of calligraphy and painting artists is mainly the charm of calligraphy and painting artists, and the charm of calligraphy and painting artists is not the end of their own calculations. What we want is character. An artist without character can't be included in history. Personality includes moral accomplishment, values and social responsibility, including whether or not to keep up with the pace of the times. Of course, the artists of calligraphy and painting are at least at the artistic level. Tens of millions of people write books and paintings. It is not easy for them to stand out. Calligraphers and painters should have a high standard and strive for this standard. In addition to writing well, we should learn more about Chinese culture, philosophy and aesthetics, study more places of interest and historical sites, and especially study celebrities'calligraphy and painting, which are the only way to improve the artistic level of calligraphers and painters. The art of painting and calligraphy is endless, there are days outside the sky, there are mountains outside the mountains, always on the road, the artists of painting and calligraphy must remember that they should not be arrogant and self-proud.

Reform and opening up have brought spring to the art of calligraphy and painting. We should seize this good opportunity to show ourselves and try our best to serve the times. To contribute to the revival of Chinese culture and the rise of China.

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